Skip to content
Daily Network Canada

The Synth-Pop Duo's Musical Force Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell alongside Marc Almond in Leeds in 1977

Dave Ball, a key member of the groundbreaking 1980s synth-pop band Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the duo achieved a global success with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is regarded as a classic of synth-pop.

He later founded the pioneering electronic act The Grid, who achieved chart success with their 1994 single the hit Swamp Thing.

Ball passed away peacefully in his rest at his residence in London on October 22, only a short time after performing a headline show with Soft Cell at the Rewind music event in the Thames-side town.

Health Struggles

At that performance, Ball performed in a wheelchair, as he had for the last two years, after a period of ill-health.

"I managed to injure myself quite a bit," he commented in 2023. "I broke lower vertebrae in my back and fractured about multiple ribs and broke my wrist."

After contracting a lung infection and developing blood poisoning, he was placed in an medically-induced sleep and stayed in hospital for seven months.

Nevertheless, he had been in "high spirits mentally" during the summer, as he worked on a fresh record with Almond, titled Danceteria, which is scheduled for publication next year.

"He was focused and so happy with the latest project that we actually completed only a short time ago," stated the singer in a tribute.
"It's so sad as 2026 was all set to be such an positive time for him, and I find comfort from the knowledge that he listened to the finished record and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the early 1980s

Heartfelt Messages

Almond described his bandmate as "a wonderfully brilliant creative mastermind", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an immense aspect of my existence and for the music you created with me. I couldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, recalling Ball's "endless laughter" and "steadfast support".

"Being in a duo with someone is different from being in a band, the connection is very tight," he added.
"That's how it was with us. We experienced so many remarkable, extraordinary, life-affirming experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Early Life

Brought into the world into a one-parent family in Chester in the late 50s, Ball was given up for adoption when he was a year and a half of age.

He was raised in Blackpool with adoptive parents his caregivers, who changed his first name from his birth name to David, together with his younger sister Susan, who was also adopted.

He met Almond at an art college in 1977, where they were both studying art. Fuelled by a shared love of Northern Soul, they established Soft Cell the very year, and promptly recorded an extended play.

Creative Collaboration

The duo were an distinctive combination: Ball was the reserved musician, bent over his keyboard, while Almond was a flamboyant performer, all glitter and makeup; but they attained a unique musical alchemy.

Ball had developed a interest with synthesizers after watching the band Kraftwerk perform on BBC program a popular series, and started to combine dark electronica to the catchy tunes Almond was composing.

Their signature song became the United Kingdom's second most popular single of 1981, selling 21 million units worldwide. Alongside hits by other artists, contemporary bands and Ultravox, it helped paved the path for the electronic music style of the 1980s.

The track was also featured on their full-length debut, Non-Stop Erotic Cabaret, which produced two additional high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the stand-alone single, Torch, which reached at number two in 1982.

Soft Cell in the studio
The duo were working on fresh songs until just before Ball's passing

Career Highlights

Fame had its upsides. "I enjoyed being able to afford my first home, having money and exploring, which makes me sound like a Miss World," Ball not long ago told with a music magazine.

But it also caused problems. "Sudden riches allowed we could afford newfound drugs to relieve the monotony" of press appearances and TV performances, Ball explained.

"I realize that's a cliché, but it's a truism for a valid cause, because it applies for so many bands."

During the hedonistic lifestyle, the pair were also growing distant, but they managed to produce a follow-up memorable record - the unconventional, tense and aptly-titled The Art Of Falling Apart.

They released another album, their 1984 release This Last Night In Sodom, before ending the group to focus on other projects.

Almond proceeded to have a prosperous solo career, including the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined dance music with ambient pop over a long-lasting collaboration.

Later Work and Comebacks

Soft Cell reunited in 2001, releasing the Top 40 record Cruelty Without Beauty.

After another break, they returned in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the large venue on 30 September, that year.

Yet, they remained active, recording their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball recently described the duo's upcoming release as a homage to the New York club scene they visited while making their initial records.

He added that his period in medical care had shaped the band's sound.

"I experienced strange recollections when I was coming and going of hospital because I was on pain medication," he told a publication.
"Our latest tracks are a electronic representation of the sounds in my mind from those days.
"Simultaneously, it's about the experiences me and Marc had in the 1980s."

The final mixes were completed only days before Ball passed away. It is scheduled for release in Spring 2026.

By

Susan Herrera

A tech journalist and analyst with over a decade of experience covering emerging technologies and digital transformation across North America.

Daily Network Canada

Type to search articles.